Inspiration: images, the outdoors, feelings, evolving techniques – and getting into flow during the art process. Rules: not many, but two are — Stop listening to other people. Try new things.
While many artists enjoy working with specific steps and structure, Artist Wen Redmond prefers the and alchemy of mixing original images, mixed media materials, substrates and mediums and responding to what evolves. Not someone to create the same thing over and over, she constantly changes her work and processes. One of her variety of workshops is called Serendipity Collage, and it includes painting, dying, stamping screen-printing, mono printing, stitching and other means of surface design. The emphasis is to catch the muse, go with the flow and allowing the materials to inspire art making.
Materials: fiber, fabric, paper, foil, photographs, scotch tape, paint, fabric dye, photocopies, thread, lace, leaves, coffee grinds, tea leaves, seeds, molding paste, wire mesh – and whatever inspires and seems to fit a piece.
During her career, she’s made art-to-wear-clothing, wall art, jewelry, art books and several signature digital imagery works. She uses a wide range of materials and particularly likes working with non-precious material – you’d be surprised what coffee grounds can do to add interest and texture — and she’s constantly exploring and expanding the boundaries of what can be done.
In describing her work, Redmond has said, “Fiber art has sustained my creative impulses since 1973. It’s a fluid and expanding art form.” Early on in her career, she moved from making art for personal gifts to making art to sell, including pieced wearable clothing and jewelry and wall art. “You have to be a business person to be an artist,” she explains. “It’s easier to find a market today because of the Internet, since you don’t have to run to each brick and mortar store and gallery to try to find the right venues to sell your work. I’ve done that, and I’ve also done the art and craft fair route, and it’s a lot of work and folks don’t realize that when they start out. Now, you can promote your artwork and programs you teach online. I have an art blog, a blog about my workshops and a website. That said, I also have placed my work in galleries. More recently, I’ve been doing more teaching, which I’ve found very rewarding.”
She will be leading workshops in Quilt Surface Design Symposium, Columbus, OH from May 26-June 8; the Abrusso School of Creative Art, Italy from Sept 2-8, 2014, and the Hudson River Valley Art Workshops in Greenville, New York from December 4-7.
Early on, Redmond found the League of New Hampshire Craftsmen, an art guild in the state where she lives, was very helpful in finding opportunities. Initially, she was juried into one of their shows and then began selling her work at numerous galleries in New Hampshire and then branched outside the state. Her work can be found nationally.
Wen’s work lately has been creating larger scale wall art and abstract collage, which is a form she gravitates toward. “I like the effect you can get with transparency when working in layers because when you view collaged art from a distance you see the overall picture, and as you get closer, you find there’s a lot to discover hidden underneath. She often uses watercolor paper as a base. She has learned how to use different mediums and materials to get desired textures, effects and images into her Media Mix work.”
Redmond has created several signature techniques, including the Serendipity Collage Technique published in Cloth, Paper, Scissors Magazine; and her Digital Fiber Techniques. Holographic Images, using printed photographs on silk organza to create a unique 3-D effect, published in Quilting Arts Magazine and featured on Quilting Arts TV. Textured Photographs is her most recent publication both in magazine and now a DVD workshop. Her workshops are available on Interweave.
Arts to Market celebrates the work of artists, innovators and arts organizations and shares advice on balancing the creative life with arts marketing and business development.